Thursday, 30 July 2015

AIFACS ART CAMP - 2015 New Delhi

THE GREAT ESCAPE, acrylic on canvas, 4 X 3 feet, Artist : Soumen Bhowmick, 2015
Art Camp organised by AIFACS at their Delhi center. Senior and Junior artists from different parts of India were invited to participate in this Art Camp for three days. Held between March 11 to 13, 2015. 
Had painted one canvas of 4X3 feet. Great gathering of young and seasoned artists at one place. We shared our ideas and views on different aspects of life in general. The stipulated time period was one of the factors to really inspire me to go more a work of this style and treatment. The work of mine is full of action. I felt the urge to be very spontaneous in my approach with colours and lines.

Finally there was an exhibition of the painted works at AIFACS gallery, New Delhi.

Soumen with his canvas
I really started working on my canvas after one hour of getting the canvas. Drawn a sketch of the image on a sketch book. 

Add caption









Saturday, 18 July 2015

CONTRAST GROUP EXHIBITION - LALIT KALA AKADEMI, Delhi 2011



This video is documentation of my (Soumen Bhowmick) group exhibition with Manoj Paswan, Lalit Bhartiya, Arun Chatterjee and Sangeeta Murthy at Lalit Kala Akademi, New Delhi in 2011. Great footfall and response from general public. The collection of work on display was truly in contrast to each other. Varied ideas and emotions, expressed on paper, canvas and wrought iron sculptures.

Tuesday, 14 July 2015

ART CAMP - AIFACS, New Delhi 2015



Art Camp organised by AIFACS at their Delhi center. Senior and Junior artits from all parts of India were invited to participate in this Art Camp for three days. Held between March 11 to 13, 2015. Had painted one canvas of 4X3 feet. Great gathering of young and seasoned artists at one place. We shared our ideas and views on different aspects of life in general.

Finally there was an exhibition of the painted works at AIFACS gallery, New Delhi.

Saturday, 27 June 2015

SOUMEN'S JOURNEY WITH NGMA, DELHI



My  journey as an art instructor since 2009 with NGMA, Delhi.
The entire range of my expertise is covered here. One can see a wide range
of creative art done by children of middle age group. The young kids are amazing
with their ideas as well as with their materials.
I as an art instructor had a great time all these years.

Its a journey of visual adventures.

CIRCUS OF THE ABSURD - CATALOG



I have tried to explore the strange relationship between our inner soul which is pure and divine,
and the physical world in which circumstantial forces are at play and dilemmas abound.
Sometimes a feeling of despair overwhelms us, and sometimes our inner strength and truth wins.
It seems as though sentiments of lust, anger, fear and envy have taken physical forms and exist amidst us.
In this series of works, there are clowns performing various acts in a circus, along with four tigers.

These tigers personify, lust, anger, fear and jealousy. The clowns and the tigers are continuously in conflict with each other. The clowns have a divine soul and truth to save them. The tigers are heartless, selfish and materialistic, although they have a royal presence. Sometimes they kill the tigers during the show and sometimes the tigers kill them. It’s an ongoing show at the “Circus of the Absurd”, seasoned with a tinge of reality and satire; a comment on our present social setup.

Cities are being destroyed; faith is being plundered. Its all part of the show. The tigers play with our innocence at every step of life. Sometimes they impersonate the clown to deceive us, but the deception cannot last long and the clown takes over again with the help of the golden sword. The golden sword symbolises purity, truth and divinity. During this ongoing power play, the circus in itself becomes infused with strong emotions. I have tried to capture all that in this series of work.

Characters of Skeleton (personifying both birth and death), Sadhus, beggars, girl child, dogs, horses and snake appear with the clowns during the show. Gradually the performance overwhelms the senses and itself becomes reality. Sometimes the clown wrestles with the skeleton, as if trying to overcome death and solitude, like we all do in our life time. In contradiction, the skeleton also clashes with the tigers, showing an end to the dilemmas of mankind.

There are other symbols in my paintings: a boat to show homeland and our place in this world.
Its made of wood to depict our vulnerability. There are wheels depicting instability. I have shown flying daggers or daggers on a trapeze, always hanging on our heads. They depict the uncertainty of life and the impending end to all life.

At most times the clown overcomes the tigers, overcomes his sorrow and faith wins at the end.
It’s the victory of Goodness! The “Circus of the Absurd” is the circus we all live in.
Fantasy worlds and reality overlap and intermingle here, and are sometimes inseparable.


Friday, 26 June 2015

HEAD TALE CATALOG - 2014



This is my second solo exhibition in Delhi. the title of the exhibition was HEAD TALE.
I took all the pain to organise this show at Triveni Gallery, New Delhi in 2014.
Great footfall and appreciation in media as well. Here in this catalog one can enjoy
most of the works exhibited during the exhibition.

I hope you will enjoy the works on paper. Most of the works were sold out.
I still have few of them with me. If you want to collect any of this works, please do contact me.
My studio is in Faridabad (Delhi NCR, India).
You can call me at +91-9810661959.

Friday, 12 June 2015

SUMMER ART CARNIVAL 2011 - NGMA, New Delhi



SUMMER ART CARNIVAL 2011, held at National Gallery of Modern Art, Delhi.
In this particular video I captured the works done on paper by the medium age group children. They have drawn and painted with complete freedom and honesty.I was the instructor for this particular group of young creative’s. I am conducting the Summer Art Workshops with NGMA since 2009. Over the years the journey has been a self exploration for me as well.

Every day is a new challenge. With hundreds of innocent and equally tough questions put across by these young participants, keep one’s mind absolutely agile. All the paintings, drawings, collages and creations out of waste were done on the spot for ten continuous days. It was a great learning process for me also. More than the kids I learned a lot from them. Their innocent handling of colours and forms amazed me. The spontaneity of young minds is best used while creating art. When the kids participate in groups, their competitive attitude and sharing of ideas increases manifolds. Group activities like creating objects of art out of waste material; instill a feeling of openness and confidence in the child.

The group of children learns to use various materials and methods of art, like; watercolor, acrylic, soft pastel, oil pastel, charcoal, pen and ink, relief work, uses of typography, collage making, importance of colour, various forms, textures, basic printmaking, basic mask making, cartooning, creating art book, sketching, object drawing and creating objects of art out of waste material. I try my best to inculcate the concept of experimentation and art with complete freedom.


Saturday, 6 June 2015

SUMMER ART CARNIVAL - NGMA, New Delhi

The Summer Art Workshop for children of various ages held by National Gallery of Modern Art, New Delhi every year during the Summer holidays of students, is a great effort and initiative to engage young minds with art and its various nuances. NGMA engages professional artists as instructors to conduct the art workshops at its Delhi premises.
The workshop is a wonderful creative journey for all the participants including the instructors. As for myself, I have learned more from the kids than anybody else. Their simplicity of thought, amazes me till now.

Soumen Bhowmick conducting the Summer Art Carnival, 2015 at NGMA.
Sharing my knowledge of drawing, painting, ideating, collage making, best out of waste, cartooning and illustration with kids is always a pleasurable experience. The innocent queries on art by these young geniuses, keeps my mind young forever and agile at the same time.I am conducting the Summer Art Workshops with NGMA since 2009. Over the years the journey has been a self exploration for me as well.

Every day is a new challenge. With hundreds of innocent and equally tough questions put across by these young participants, keep one’s mind absolutely agile. All the paintings, drawings, collages and creations out of waste were done on the spot for ten continuous days. It was a great learning process for me also. More than the kids I learned a lot from them. Their innocent handling of colours and forms amazed me. The spontaneity of young minds is best used while creating art. When the kids participate in groups, their competitive attitude and sharing of ideas increases manifolds. Group activities like creating objects of art out of waste material; instill a feeling of openness and confidence in the child.

The group of children learns to use various materials and methods of art, like; watercolor, acrylic, soft pastel, oil pastel, charcoal, pen and ink, relief work, uses of typography, collage making, importance of colour, various forms, textures, basic printmaking, basic mask making, cartooning, creating art book, sketching, object drawing and creating objects of art out of waste material. I try my best to inculcate the concept of experimentation and art with complete freedom.







One has to initiate the young guns into the known and the unknown spheres of the art within a short span of 10 days only. Its an absolute challenge. To keep these kids engaged for 2 hours daily is a masterly job. I try not to teach, but to guide them only. Need not be an over powering entity to make each one of the participants a creative genius. Just let them relax and enjoy art at their own pace. But do guide them whenever you feel its needed.












Taking a group photograph of the participants is always a big challenge. Firstly they are always trying to do some mischief in front of the camera and their bindaas moments are very difficult to synchronize. But finally I achieved to capture the entire group of young talents. Some times the students themselves ask for the group photograph. They want the spirit of the team to be captured forever.




Some of the works done on paper by students from various years of the art workshop. Not in sequence of years, but never the less it shows the creativity of the participants.












Wednesday, 22 April 2015

A LAND OF THOUSAND TEARS



No one can hear my cry, no one cares to ask me the reason why. I keep crying till the day I just quit from this land of tears, just to save my family. My soul keeps searching till eternity for the reason of my tears. I saw happiness in few droplets and in small corners of my land. Till one day the Gods show no mercy on my land and I was torn apart from my beloved land.

This may be the tale of most of the Indian farmers, who are waging a war of survival with mother nature. 
With very few support from any establishment, they are left to fend for themselves. For how long their heart keeps beating and they keep tilling their lands, is a national mystery. With my series of drawings titled “A LAND OF THOUSAND TEARS” I tried to highlight the precarious situation of our farmers. I solemnly believe that some positive steps would be taken to salvage this heart wrenching, daily ordeal of our hardworking farmers.

By Soumen Bhowmick, 2015.

Wednesday, 8 April 2015

A LAND OF THOUSAND TEARS


No one can hear my cry, no one cares to ask me the reason why. I keep crying till the day I just quit from this land of tears, just to save my family. My soul keeps searching till eternity for the reason of my tears. I saw happiness in few droplets and in small corners of my land. Till one day the Gods show no mercy on my land and I was torn apart from my beloved land. 

This may be the tale of most of the Indian farmers, who are waging a war of survival with mother nature. With very few support from any establishment, they are left to fend for themselves. For how long their heart keeps beating and they keep tilling their lands, is a national mystery. With my series of drawings titled “A LAND OF THOUSAND TEARS” I tried to highlight the precarious situation of our farmers. I solemnly believe that some positive steps would be taken to salvage this heart wrenching, daily ordeal of our hardworking farmers.

By Soumen Bhowmick, 2015.

DON'T BOTHER, pencil on paper by Soumen Bhowmick 2015

NCRB claims 46 farmers commit suicide every day in India.

According to a report by the National Crime Records Bureau, as many as 16,632 farmers, including 2,369 women, killed themselves last year, constituting 14.4% of the total number of suicides in the country. More than 16,000 farmer suicides were   reported across the country last year, representing a slight drop from 17,060 in   2006. But the broad trends of the past decade seem unshaken -- farmer suicides   in the country since 1997 now total 182,936, according to a National Crime  Records Bureau (NCRB) report ‘Accidental Deaths and Suicide Report – 2007’.

PORTRAIT OF A FARMER, pencil and coffee on paper by Soumen Bhowmick 2015
UNBORN DREAM, graphite, charcoal and coffee on paper by Soumen Bhowmick 2015

Maharashtra retains the dubious  distinction of reporting the largest number of suicides (4,238) -- for the third  time in four years -- followed by Karnataka (2,135), Andhra Pradesh (1,797),   Chhattisgarh (1,593), Madhya Pradesh (1,263), Kerala (1,263) and West Bengal  (1,102). These states were in the top seven list in 2006 too. The five worst affected states -- Maharashtra, Andhra Pradesh, Karnataka, Madhya Pradesh and Chhattisgarh -- account for two-thirds of all such suicides -- 16,632 -- in the country. Together, they saw 11,026 suicides in 2007.

HOPE YOU REMEMBER ME, pencil on paper by Soumen Bhowmick 2015

Maharashtra alone accounted for over 38%, despite registering a fall of 215 compared with 2006 figures. Of the Big Five, Andhra Pradesh saw a decline of 810 suicides, while Karnataka saw a rise of 415 over the same period. Madhya Pradesh posted a decline of 112. But Chhattisgarh’s 1,593 reveals an increase of 110 over 2006. Maharashtra’s 4,238 farmer suicides   follows one-and-a-half years of farm relief packages worth around Rs 5,000 crore  and a prime ministerial visit in mid-2006 to the state’s distressed Vidarbha  region. Between 2005 and 2007, Maharashtra also saw a plethora of official reports, studies, and commissions of inquiry aimed at tackling the problem.

BLOODY EYED, pencil on paper by Soumen Bhowmick 2015

Farmer suicides in Maharashtra touched an   all-time high of 4,453 in 2006.
In 2006, a UN report   ‘Extent of Chronic Hunger and Malnutrition’ criticised the Indian government for   the rising number of farmer suicides. The report said that economic growth   through the 1990s had made India a more market-oriented economy, but had failed   to benefit all Indians equally. In March 2008, Finance Minister P   Chidambaram announced a loan write-off for small and marginal farmers and made   provision for Rs 60,000  crore; the amount was later increased to Rs 71,000 crore. Experts say this still leaves out   farmers’ debts to private moneylenders. And, like numerous other state-sponsored programmes, the debt relief scheme is poorly implemented and reveals huge gaps   in formal banking channels in rural India. Last month, in a bid to mitigate severe   farmer distress in several states, the central government decided to provide   additional financial support of around Rs 765 crore to implement programmes in suicide-prone districts, as suggested by leading scientist M S Swaminathan.
The decision, taken by Cabinet at a   meeting chaired by Indian Prime Minister Manmohan Singh, includes financial   support of Rs 361.55 crore to promote research in rubber, coffee, cardamom,   pepper and tea. The government had, in 2006, identified 36 districts in several   states like Kerala, Andhra Pradesh and Karnataka, for which it had decided to   put a special plan of action in place. One of the most disquieting facts about   farmer suicides in India has been their widespread occurrence, from   drought-prone Andhra Pradesh, Karnataka and Maharashtra to heavy-rainfall states   like Kerala, and also Punjab which has large areas under irrigation.

Source: PTI, December 14, 2008
 [I]The Hindu[/I], December 12,   2008
 [I]The Indian Express[/I], December 10,   2008
PTI, November 20, 2008,  http://www.mainstreamweekly.net, June 21, 2008

ON A BED OF TEARS, pencil on paper by Soumen Bhowmick 2015

Nearly 2 Lakh farm suicides since 1997

There were at least 16,196 farmer suicides in India in 2008, bringing the total since 1997 to 199,132, according to the National Crime Records Bureau.
Maharashtra remains the worst state in the country for farm suicides, with a total of 3,802 (this is just 40 short of the combined total of Andhra Pradesh and Karnataka). The all-India total of 16,196 represents a fall of 436 from 2007. But   the broad trend of the past decade reflects no significant change; the   national average for farm suicides since 2003 stays at roughly 1 every   30 minutes. The share of the Big 5 states, or ‘suicide belt’, in 2008 -- Maharashtra, Andhra Pradesh, Karnataka, Madhya Pradesh and Chhattisgarh -- remained extremely high at 10,797, or 66.6% of the total number of farm suicides in the country. This was   marginally higher than it was in 2007 (66.2%)

A LAND OF THOUSAND TEARS, pencil on paper by Soumen Bhowmick 2015
.  
Within the Big 5, Andhra Pradesh, Madhya Pradesh and Chhattisgarh recorded higher numbers. The increase of 604 in these three states somewhat offsets the dip in Maharashtra (436) and Karnataka (398). But a drop in suicide numbers in other states (for example, a decline of 412 in Kerala and 343 in West Bengal) means that the Big 5 marginally increased their two-thirds share of total   farm suicides in 2008. 
The National Crime Records Bureau (NCRB) data now covers all states for 12 years, from 1997. In   the first six years (1997-2002), the Big 5 witnessed 55,769 farmer suicides. From 2003 to 2008, they totaled 67,054, an average rise of nearly 1,900 a year. 

MY BELOVED VILLAGE, pencil on paper by Soumen Bhowmick 2015

Maharashtra has logged 41,404 farm suicides from 1997 (over a fifth of the national total) and 44,468 from 1995, the year when the state began recording farm data. No other state comes close. During 1997-2002, Maharashtra saw, on average, eight farmers kill themselves every day. The corresponding figure rose to 11 during 2003-2008. The rise was from an average of 2,833 farm suicides a year in the first period, to an average of 4,067 in the next period.  
Professor K Nagaraj, an economist   who has worked at the Madras Institute of Development Studies, says of the NCRB data: “There is hardly any decline in the suicide belt, though individual states may show variations across 12 years. If this is the state for 2008, the year of the Rs 70,000 crore loan waiver and multiple farm packages, then 2009, a drought year, could show very disturbing figures. The underlying agrarian problems seem as acute as ever.” 
Source: [I]The Hindu[/I], January   22, 2010.

MY TEARS  FOR YOUR FIELD, pencil on paper by Soumen Bhowmick 2015

17,000 farmers committed suicide in 2009: NCRB 

The number of suicides by farmers continues to rise countrywide with Maharashtra topping the list for the tenth consecutive year. Even as food prices soar, farmers in India do not seem to be profiting. The National Crime Record Bureau’s most recent figures reveal that more than 17,000 farmers committed suicide in 2009, the worst year since 2004.
That takes the total number of recorded farmer suicides since 1997 (when all states had to compulsorily record farm suicides) to 216,500.

NOWHERE TO BURY THE PAIN, pencil on paper by Soumen Bhowmick 2015

Maharashtra, the country’s second  most  industrialised state and the home state of the country’s agriculture minister, Sharad Pawar, recorded the highest number of farmer suicides for the tenth consecutive year. P Sainath, rural affairs editor of [I]The Hindu[/I], who has been relentlessly pursuing the subject of agrarian neglect and distress, says that if the numbers from 1995 to 1997 as well as 2010 are taken into account, the total number of  farmer suicides would be even more shocking.
“The numbers are from the annual report of the Government of India’s own National Crime Records Bureau. Their yearly total for farmer suicide from 1995 to 2009 brings us to a total of 240,000. Even if we assume that 2010 saw far fewer suicides than the average of the last decade, it  still takes the figure past 250,000 or a quarter of a million farmer suicides,” Sainath says.

LAND OF HEADS, pencil on paper by Soumen Bhowmick 2015

The worst affected states are Maharashtra, Andhra Pradesh, Karnataka, Madhya Pradesh and Chhattisgarh. These account for two-thirds of all farmer suicides during 2003-08. Since the issue of farmers committing suicide surfaced, governments both at the centre and state have announced all sorts of ‘packages’ to help relieve the situation. But throwing money at the tragedy has clearly not stopped it from occurring. In 2008, the government declared that farm loans over a certain amount would be waived. There were 16,196 farmer suicides in the country that year, just 436 less than in 2007 (NCRB figures).

FEAR TO WALK, pencil on paper by Soumen Bhowmick 2015

Maharashtra got Rs 3,750 crore from the Prime Minister’s Relief Package in 2006 for six crisis-ridden districts. This was followed by the chief minister’s relief package of Rs 1,075 crore. Nearly Rs 9,000 crore was waived in farm loans as part of the Rs 70,000-crore central loan  waiver; the state government added another Rs 6,200 crore for those farmers not  covered by the waiver and another Rs 500 crore for a one-time settlement for  poor farmers who had been excluded from the waiver altogether because they owned more than five acres of land. 

THE HAND THAT FEEDS,  pencil on paper by Soumen Bhowmick 2015

Writing in [I]The Hindu[/I] (January  25, 2010), Sainath points out that, in all, the amounts committed to fighting  the agrarian crisis in Maharashtra exceeded Rs 20,000 crore across 2006, 2007  and 2008. ‘Yet, that proved to be the worst three-year period ever for any state at any time since the recording of farm data began.’ There were 12,493 farmer suicides in 2006-08, 85% higher than the 6,745 suicides it recorded  during 1997-1999, ‘and the worst three-year period for any state, any time’.

IT FELL ON THE GROUND, pencil on paper by Soumen Bhowmick 2015

It is generally accepted that indebtedness of farmers trying to survive on an income that is clearly inadequate is driving  them to suicide. The government is reluctant to admit that its entire agrarian  policy is at fault and instead seizes on isolated causes such as high interest  rates charged by moneylenders, extravagant family wedding expenses, and crop  failure due to the weather to explain the phenomenon.

IN THE SHADOW OF DEATH, pencil and coffee on paper by Soumen Bhowmick 2015

Sainath writes that while the loan waiver and other financial aid were necessary, they have been wrongly structured. For example, only those who had taken loans from institutions like banks were eligible for the waiver though many farmers take loans from moneylenders.  Kerala, where all farmers have bank accounts, profited. Again, the 2008 waiver was only for those with less than five acres of land, which left indebted  farmers with more land out in the cold.  

BLOODY ROOTI, graphite, coffee and natural colours on paper by Soumen Bhowmick 2015
SEE NO TEARS, pencil on paper by Soumen Bhowmick 2015

Analysis by economist Professor K Nagaraj of the Madras Institute of Development Studies, who has worked intensively on farmer suicide data, shows that the suicides appear concentrated in regions where  there is high commercialisation of agriculture and very high peasant debt.  Cash-crop farmers appeared far more vulnerable to suicide than those growing food crops. Whatever the pros and cons of the loan waiver, ‘the basic underlying causes of the crisis remained untouched’ writes Sainath. He identifies these as ‘the predatory commercialisation of the countryside; a massive decline in investment in agriculture; the withdrawal of bank credit at  a time of soaring input prices; the crash in farm incomes combined with an  explosion of cultivation costs; the shifting of millions from food crop to cash crop cultivation with all its risks; the corporate hijack of every major sector of agriculture including, and especially, seeds; growing water stress and moves towards privatisation of that resource’.

AMONG THE GRAINS, pencil and coffee on paper by Soumen Bhowmick 2015

SCREAM IT LOUD, pencil on paper by Soumen Bhowmick 2015

[*]In 1947, the share of agriculture in total GDP was 50%. Today it is about 20%. [/*]
[*]60% of India’s population depends on agriculture for their survival. [/*]
[*]In 1988-89 (prior to financial sector reforms), the growth rate in agriculture was 15.4%. In 2006-07, it was 9.4%.[/*]
[*]80% of farmland holdings is under five acres. [/*]
[*]The cost of production by way of farm inputs has increased manifold over the years while land productivity remained the same and the sale price of farm produce has not increased       commensurately. The smaller the landholding, the higher the cost of production.[/*]
[I](Source: A paper on farmer suicides in Maharashtra by NABARD)[/I]

EMPTY HOPE, pencil and coffee on paper by Soumen Bhowmick 2015

I FAILED, pencil and coffee on paper by Soumen Bhowmick 2015

THE LAST WITNESS, pencil and glass marker on paper by Soumen Bhowmick 2015

CRY NOT FOR ME, pencil and coffee on paper by Soumen Bhowmick 2015

SMEARED WITH BLOOD, pencil, coffee and natural colour on paper by Soumen Bhowmick 2015

WHICH EYE TO CRY FOR, pencil and coffee on paper by Soumen Bhowmick 2015

MY DREAM DIED, pencil on paper by Soumen Bhowmick 2015