CIRCUS OF THE ABSURD

This new series is the second phase or part of my earlier series by the same title. During
this time lots of new experiences and emotional turmoil’s played its definite role to shape
this new range of works on paper. Mainly pen & ink and mixed media. Done over a period of two years, fuelled by innumerous socio-political consequences globally and its impact was dramatic on my work.
The contemporary daily upheavals in the Indian scenario, telling instances of helpless souls and their struggle for mere survival.
Now the struggle is not internal but with external elements of our society. The tiger here plays the role of the more identifiable face of social evils – Corruption, Terror, Poverty, Deceit, Injustice, Nepotism and Aimless Growth. Sometimes the images disturb your established norms of Visual acceptance. Well, that’s exactly I want to achieve, shaken and stirred and served raw on a platter of undaunting flow of emotions. The Clown here is me and you, the commonman . Tired by its own conformity and dualism. It tries to break free through the mess, with the use of the golden sword. Trying to force ones way forward, with an endless jest for true liberty.
The new man (Clown) emerges out of pain and blood, to claim his rightful place of honour. Here an amount of movement is created with the images of the butterfly, the symbol of freedom and innocence. It’s truly honest and beautiful, but sometimes it’s nauseatingly repulsive. The butterfly plays with the clown and creates an environment of challenge and tranquility at the same time.

Although it’s all very ABSURD in the fist glance, the path is laid for DREAMS to step out, to shake the hollow regime of DISHONEST Tigers.

Just make way for the CLOWNS!

CIRCUS OF THE ABSURD

Solo Art Exhibition at Lalit kala Akademi, Delhi, 2010.


This is a series of drawings and paintings based on my experiences and the man kind in general. Here I tried to explore the strange relation between the inner soul (pure and divine) and our own dilemmas, influenced by circumstantial forces. Sometimes this feelings of despair overwhelms on us and sometimes our inner strength and truth wins over them. These elements of lust, anger, fear and envy has taken physical forms in various walks of our life and exist amidst us. In this series of works, there is a clown or group of clowns performing various acts in a circus, along with four tigers. This tigers personify, lust, anger, fear and jealousy.
The clown (clowns) and the tigers are in continuous clash with each other. The clowns have a divine soul and truth to save them. Sometimes they kill the tigers during the show and sometimes the tigers kill them. Its an ongoing show at the “Circus of the Absurd”, happening with a tinge of reality and satire, commenting at our present social setup.
The tigers are heartless, selfish and materialistic, although they have a royal presence. A duality of character is visible in this case. They deceive the society and the circus shows there various characteristics at various times. Whereas the clown uses his sword made of gold to kill the tigers during the show. We presume the tigers are divine, but they are there to deceive us.
Shown cities being destroyed, faith being plundered by the tigers. Its also a part of the show. They play with our innocence at every step of life. Sometimes impersonating the clown, to deceive us of reality. The imposter is shameless to play the role of a pure soul. But it didn’t last long and the clown takes back his reign of goodness after much struggle, with the help of the golden sword. The golden sword shows purity, truth and divineness. You need a pure golden heart and faith to kill the tigers amidst us. During this ongoing contradictions and power play, the circus in itself becomes enriched with various emotions. I tried my best to capture all that here in this series of works. It’s a panorama of human existence.
Characters of Skeleton (death), Sadhus, beggars, girl child, dogs, horses and snake will appear with the clowns during the show. Gradually the performance overwhelms the reality and in itself becomes reality. The skeleton and other characters have a certain role to play here. The skeleton personifies death and also the beginning. The clown wrestles with skeleton. Trying to overcome death and solitude, like we all do in our life time.
Skeleton also clashes with the tigers, showing an end to dilemmas of mankind. There is a boat, to show homeland and our place in this world. It is made of wood, showing vulnerability. Also have wheels, shows its unstable. I have shown flying daggers or daggers on trapeze, always hanging on our head. The uncertainty of life and the impending end to all life is shown that way.
At the end of the show, the clown overcomes the tigers and kills them with his golden sword. Although the entire city and his homeland is destroyed by the tigers, the clown overcomes his sorrow and faith wins at the end. Its victory of faith and innocence over our own various weaknesses. Goodness wins!
*Artist Statement : Soumen Bhowmick 2010.

 Coverage of my solo art exhibition "CIRCUS OF THE ABSURD" on Doordarshan

TAMASHA, Triptych, acrylic on paper



TTAMPLING BEAST, PROWL, DANCING ON THE BALL

 

OVERWHELMING EVIL, THRONE OF THE VICTOR, DAGGER SHOW

  

FACING THE DAGGER, DANCING ON THE BEAST and FLOATING HEAD

ON THE MOVE, Triptych, conte on paper

 



NO WHERE TO GO!, Mixed media on paper

  

Bed of Roses, Charcoal on brown paper



 

BINDAAS and DUEL

   

FOR THE SHOW, ON THE BOAT, SHOW IS ON and TIGER IN HAT




  

HIDING IN MY HAT and THE BIG FIGHT

 





JOURNEY, Polyptich, pen and ink on paper

Dagger ShowPen and ink on board

 

On the Trapeze, Pen and ink on board

  

While I was staying in India for the past few months, I had to watch the performance once in every two or three days. I am afraid to say that it was not funny at all. The more I watch it, the more I hurt and I had to turn my eyes away from it for the moment that I need to applause. Not because it was street performance different from the one in great theater. It is never because they are not good at it either. In the street where there are cars are stuck, it looks like girls younger than 10 year old do handspring and begging it is definitely street circus from anyone’s eyes.
Who can call it is a great performance when a little child reaches her hand to get the money from people in the car? It would rather be called survival performance. The reason why I can remind of this weird scene when I look at the Soumen is, it seems like reiterate to the subject of exhibit as Circus of the absurd. It has a similarity between them when it comes to visible real life and makes the audiences embarrassed. Of course, Work of Soumen is very different from that real Circus in India since it has hidden reality.
And the hidden reality of Soumen includes complicated psychology inside of human being, or parodies dilemma as a circus. The clown and tiger in that work appear as avatar contrast to structure of conflict, a golden knife of clown which symbols purity, sincere and divine uses for defeating the tiger who worships of devil for prosperity. The skeleton describes as for personifies death.
The scene of the clown and skeleton do wresting reflects our lives that try to get over death and loneliness. All the things in work can be personified or avatar. In the long run, a writer uses circus as allegory of life that is complicated and delicate. The painting of Soumen has a structure to show the heavy story of life. Therefore, text can be emphasized than visual language. Except for inner space that is called circus, it is hard to understand that work. It is possible to comprehend the illustration technique or simply used of cartoon technique. The size of work is tiny out of expectation. His work uses paradoxical approach to touch lightly for heavy materials.
It is good enough to get attention or interests from anybody. However, if we too focused on only for meaning of that work, text can be read before seeing the picture since it is possible to neglect formative conduct.

Contemporary art is required to remind that visual imagination of human is on bottom line. I hope it can be progressed as circus lies in it.

*Written by : Insang Song, Independent Curator and Art Critic, curator of Seoul Arts Center.