Friday, 31 October 2014

Head Tale: Effective for now but..




Review : Soumen Bhowmick / Johny ML (Art Critic & Curator, India)

Published on : www.cartanart.com, 01/04/2014


Soumen Bhowmick, in person, represents the quintessential image of an artist; fragile, soft, 
animated while speaking and dignified. Often when such artists exhibit in community galleries 
like Triveni in Delhi, despite their sincere efforts they do not get enough print or visual media space. Friendly folks who walk in would look at the works dispassionately or at times patronizingly. Artists, unlike in the mainstream galleries, here are eager to talk to you, get a comment from you. A word of appreciation makes them happier than a real purchase because they know, even in these post-boom years, words of encouragement matter more than money. Most of these artists find benevolent patrons in due course of time; these patrons support them by buying their works not as investments but as a gesture of appreciation and love. Critics use their words to encourage (sometimes, to discourage) and patrons use their money to do the same (sometimes, to spoil the artists).

Part (F.N.) Souza, part (Francis) Bacon, part (Philip) Guston, part (Ernst) Neiztvestny, 
part (George) Grosz and part (Bengali) folk artists, these works of Soumen Bhowmick 
are the meeting point of various pictorial traditions. In this solo show titled ‘Head Tale’, 
what one sees is a series of human heads done over the last five years and interestingly 
not a single human head resemble any real human head or anything near to it. The artist’s 
attempt is not to capture the very similitude of the human heads that we see milling 
around us today but his intention is to look at the ways in which these heads take shape 
in his own ‘head’. This is a way of perceiving people, not exactly as people but as 
creatures of a magical world. For an artist like Soumen Bhowmick, reality or the real world 
around him is a series of appearances and from a peculiar perspective human beings lose their perceived charm and they become creatures distorted by protrusions, intrusions and organic growths.

How does an artist come to view human beings in this way? Either it should be an outcome of the complete loss of faith in human beings as sublime entities or it should come from a belief that human beings who show beautiful countenances to others hide so many weird things in their minds. When the social structures demand a certain kind of behavioral pattern from people, theirs become a tortured existence as they fail to express their innate desires and cruelties within the controlled environment. That means human societies are perverted zones of permanent repressions. Soumen Bhowmick not only sees other people as creatures living within human forms but also sees himself as one, often as a victim or a saint tortured by the arrows of accusations. This pictorial device has been used by many artists aforementioned as protest, disparage and as active rebellion. In an absolutely changed social context, Soumen can emulate this stylistic device only to express his angst.

In his statement, Soumen says that his works are inspired by the scenes from the streets where faces pile up. He feels like giving them a comic twist and an ironic edge. In their distorted selves they look like clowns in a carnival, a menacing carnival of deception. Here notionally Soumen stands closer to Peter Brueghel who had depicted the human vices both perceived and imagined. However, I feel that Soumen needs to move a little further to articulate his views; an urgent departure from heads and faces is demanded. The danger of getting stuck to this language is palpable, which would eventually blunt his critical paintings and they would turn into decorative design with a signature style.

Friday, 10 October 2014

CARRY ON FOOLS

Trapped, pen and ink on paper, Artist : Soumen Bhowmick

No matter what you do or what your mind make your think, it's always darkness around here.
Fools do exist in my world of mediocrity and sin. They thrive and take a long time to perish.
They enter your world with free will and vanquish your sanity with their foolishness. 
That's their beauty dear.

Art is now a fool's business to run. Business, I do call it in all my true senses, not drunk friends, believe me.
Society is punishing us for our indulgences, for our honest lust for freedom. Freedom to express, freedom to
smell that last breath of life, freedom to make love to art, freedom to delve into our dark and lone-some alleys of existence. Freedom is the least available and chased by so many. Art is fooling around for a long time now. Time to face the music of destiny, the song of the forgotten hero will be played now, again and again. Go, take your side with the devil or the vanquished. Your choice will lead you to the depth of no return. The days of glory is now over, dark clouds of doubts are friends around. So just fool around with the clouds of deceit and few choices. Walk the path of hard pebbled roads, moron listen to your soul. For it never lies on purpose. 

The lights in my studio are now dimmed to escape the glare. The once loved images of art openings are
troubling the senses. The crowd is missing, the voices of holy buyers are few and getting rare to find
by every passing day. Carry on with the salvage of your destiny dear friends. We all are left with the fallen air castles that we once  ruled!






Tuesday, 5 August 2014

NATIONAL ART POLICY



I am drafting this NATIONAL POLICY ON ART, primarily for the promotion and encouragement to Indian art & artistsby the Government of India (Ministry of Culture). It’s just a compilation ofvarious suggestions to the Ministry of Culture, India.

Under ‘ART’ you have painting, sculpture,printmaking, new media, performing art and photography.

Under ‘ARTISTS’ any Indian individualwho has completed B.F.A., M.F.A, B.V.A., B.A. or minimum a diploma in art fromany recognized institution in India.


The Points for the NATIONAL POLICY ONART :

1.   There should be new art galleries onthe line of Lalit Kala Akademi, in Delhi. All major cities should be covered underthis plan. With a minimum floor area of 10,000 sq ft.

2.   Government should allocate publicspaces for art installation, or exhibition space inside Metro Stations,Airports, Colleges, Hospitals, Schools and Dilli Haats. They can even provideparks like Lodhi Garden or Central Park in Connaught Place for permanent openair art display areas. They can allocate walk-ways in Khan Market or any othersuitable place for weekend art exhibitions. Collect 10% of the sales from theartists.

3.   Raw materials for artists should beeasily available through public distribution system like KENDRIYA BHANDARS andKHADI. Even museums, Lalit Kala Akademi can also be roped in for this. Variouspapers, colours, brushes and other materials should be provided to the artistsat reasonable rate at KENDRIYA BHANDARS and KHADI throughout India. Materialscan be divided in two sections students and professional.

4.   Tax exemptions should be given oninvestment or promoting art or any art related activities. Tax rebate to anyindividual or corporate on a purchase of Rs.10,000/- (minimum). Art promotionand investment should be brought under CSR (Corporate Social Responsibility).Buying art should be encouraged by all departments of various ministries fortheir offices. Every corporate should take the responsibility of promoting at least5 art students yearly. Corporate should support various art projects; likemurals, public art projects, installations, paintings and performing art withintheir premises at least once a year.

5.   Art Biennales should be organized byGovt. or on PPP mode, throughout India. Apart from KOCHI MUZRIS which is now apopular international biennale, Govt. should come up with few more biennales inmajor metros. Theme based biennales can also be introduced.

6.   Courses on curatorial practices andart management should be introduced in all art colleges.

7.   Lalit Kala Akademi should be made thenodal agency for verification and authentication of art in India. LKA shouldsell research notes on art by Indian and international artists and scholars onart. DVDs and CDs on various Indian and international artists should beavailable in all art museums and LKA.

8.   Revive FESTIVAL of INDIA and YUVAMAHOTSAV. Involve SAARC countries for celebrating YUVA MAHOTSAV. It should bean annual affair. There should be exchange of artists within the SAARCcountries. FESTIVAL of INDIA should be organized throughout the world or atleastin major centres globally.

9.   There should be SAZ (Special ArtZone) on the line of SEZ ( Special Economic Zone). Government should chalk out areas within a city or in its outskirts for this matter. Mandi House, Hauz Khas village, Khan Market or Connaught Place can be declared 'SAZ's. Art galleries, art fairs, musical performances, open air art shows, installations and open air film shows should be part of this 'SAZ'.

10.  In art colleges there should be a course on 'Classical Indian Art'. Where one can learn Indian miniature painting of all styles. The students will learn theory and the practical nuances of this great treasure of Indian Art.

11.  Art tour packages should be introduced by Ministry of Tourism, for Indian & foreign visitors. Art tours will promote tourism and art at the same time. All hotels in India should work on this idea to attract more tourists and to promote art.

12.  Film festival on art should be a regular happening in all the metros in India. Video art, art documentaries, short art films on artists should be made part of it. All regional Lalit Kala Kendras and NGMA could be the venue for this. Even art colleges in India can be transformed into art film festival venues.

13.  A National Artists Database (NAD) should be developed online by Ministry of Culture for all Indian artists. All graduates from certified art colleges can register themselves in this National Artists Database for a nominal fee. This database will be much bigger and more will include most of the Indian artists, than the present Lalit Kala Akademi artists directory. Which unfortunately contains only those artists who have participated with National Art Exhibition.

14.  Art day or art week should be celebrated in all museums and NGMA. 


Author - Soumen Bhownick, September, 2014
Logo Design - Suvankar Nandi

Thursday, 3 July 2014

HOW FAKE ARE YOU


To make and sell fake art is a real skill. I used the word ‘make’ because here you don’t create, just copy or clearly steal the soul of someone else art. Blame whom for this menace in Indian art and globally. I will talk about the Indian scenario here…blame the galleries, the buyers or the artists. You pick your choice. I quietly accept the fact that, fake is the new in-thing, especially in a fake society of ours.

Delhiwallahs are major devotees of fake art. They live by it, they take oath for buying fakes only. Next comes Mumbai and Kolkata. Till the time the thick headed morons in these cities demand for Hussians, Razas,Souzas, Tagores, Gaitondes, Hores, Shergills and many more masters, thebusiness of fake will flourish. Many galleries, art dealers or agents openly sell fakes. Either they are protected by the law or they don’t give a damn about it. Specially the art of Progressive Artist’s Group are in demand. Originals are mostly unaffordable by this flock of buyers. But, still they need that fake art to satisfy their ego.

Bless the poverty of opportunities for Indian artists and young graduates in art colleges. Lack of avenues to earn a decent living, except for some low paid art teacher job in a Govt. or private school. That too mostly offered to female breed of this community. The male ones are left to fend for itself. I explain this statement, the age limit for women candidates for DSSB teacher job is 42 and for male it’s 35.Similarly with KVP teaching jobs the age limit for women is more and for men it’s less. So it’s very natural and instinctive for male artists, to take to painting fakes of Indian or European masters. They are skilled, hunger in their belly and acutely helpless. Young, trained, talented art graduates from Kolkata, Bihar and Indore are mainly involved in this business. They just need some money to sustain. It’s a matter of mere livelihood for most of them. They create fake on a very low budget, not paid much. Just enough for their monthly room rent in Delhi or Mumbai. The middleman or the gallery mint the real deal. This situation of artists in India is duly exploited by the gallerists or art promoters to supply the never ending demand for Indian masters.

The show-off breed in Delhi, who just earned their millions desperately need some ego balm in the form of name tags as far as hanging art in their homes. They love to chat beneath a fake Hussain or Raza during their innumerous parties or social encounters. Why to buy an original, soulful piece of art by a young Indian artist. He or she doesn’t belong to the art map of our land. Rajiv Savara want to have a regulatory body to check fakes. I suggest that Lalit Kala Akademi takes the initiative as it’s the foremost body to promote art in India. Or the Ministry of Culture constitutes a separate body to take care of this matter. The Government should have a National Art Policy and guidelines for Art galleries to follow it by the book while doing business. What action would be taken for selling and buying fake art. Till the time there are no better opportunities for Indian artists, this business of fake will prosper and some day it will overtake the market for original artworks. 

The NRI Diaspora is also to be blamed for pushing the market for fakes. They are chasing big names only in Indian art. They fail to promote young Indian artists. There is a certain limit to original works of any artist. But here the scenario is so grave that, even when a certain work of Hussain, Raza or Tagore is in museum collection, the NRI or a DESI would demand to have it painted as a fake. He simply gets hold of a gallery or some art student to fulfil his demand. I see the rise in fakes after 2005 art market burst. Recession has fuelled the supply of willing artists to do this rascal’s job. Even college students feel no shame to earn some quick pocket money through this devious mode of earning. This shit is going on in many of the well known art colleges in India. 

You protest, shout, blame them or put them behind the bars; the business of fakes will go on. Vast number of artists are jobless, government apathy towards art and artists make the situation grave enough for a relook by our social thinkers. We have to question ourselves, for how long faking art is acceptable. When we can’t contain a crime we legalise it, that seems to be the reality now. 

Seriously, just how fake are we!

By - Soumen Bhowmick,
July, 2014

Monday, 9 June 2014

BLACK & WHITES by SOUMEN BHOWMICK





My world of B&W drawings and sketches. Done over a period of more than 15 years.

All works on paper.

Wednesday, 4 June 2014

THE ART OF SOUMEN BHOWMICK



In this slide show I have displayed works done for the series CIRCUS OF THE ABSURD.
I had my first solo art exhibition in 2010 at Lalit Kala Akademi, Delhi, with this series of work. The show was well reviewed and appreciated by art lovers from different parts of the world. Norwegians, Americans, Germans, Koreans, Japanese, Italians and a large number of Indians.
Art Alive Gallery (Sunaina Anand) collected 12 of my works from this series. Fantastic sales, and large number of visitors had made this a successful art exhibition. For more works from this series, please do check the CIRCUS OF THE ABSURD section on my blog.

Saturday, 17 May 2014

CIRCUS OF THE ABSURD - Solo Exhibition at Lalit Kala Akademy, Delhi



My first solo art exhibition, CIRCUS OF THE ABSURD held at Lalit Kala Akademi was covered by 'Kala Parikrama' programme on Delhi Doordarshan. The show was telecast in the month of April of 2010.

HEAD TALE coverage with CHAHAL PAHAL, ALL INDIA RADIO, Delhi



Interview by Radio Jockey Nirbhay of AIR, Delhi. It's an engaging interview of my solo show HEAD TALE. The interview revolved around my work and my observation of art in general in India. The exhibition went on from 15th to 25th March 2014 at Triveni Gallery, Triveni Kala Sangam, New Delhi. Got huge number of footfalls and fantastic review and coverage in the Indian media.

Monday, 12 May 2014

AQUA AEGIS FETE By Gallery Sree Arts








My work is also part of this international art show organised by Gallery Sree Arts of Gurgaon. 35 contemporary artists from around the globe have worked on a single theme of water and its conservation. The size of the artworks are same and on fabriano paper. For me, the challenge was to create some image that would make the viewer do some mental grinding on the particular theme of water conservation. The theme itself is very serious and a contemporary issue, globally faced by mankind. Hope I have done some creative contribution to answer this global issue.

Friday, 25 April 2014

ART BODIES - A Group Show


It gives me Great Pleasure & Privilege to invite you, 
your family, your friends & your colleagues to our group show
 of drawings, paintings and sculptures

ART BODIES
29 April - 5 May
11am to 7pm Daily 

Gallery 1
Lalit Kala Akademi
Rabindra Bhavan
Copernicus Marg, New Delhi
Metro - Mandi House 

Artists - 

BANOJ MOHANTY
PROMILA ARORA
RATNAKAR SUTAR
SHITAL VERMA
SUNITA LAMBA
SOUMEN BHOWMICK

R.S.V.P.  9810661959



Lalit Kala Gallery exhibition view

From Left to Right, Soumen Bhowmick, Promila Arora, Sunita Lamba, Jagdish Dey and Banoj Mohanty
From Left to Right, Soumen Bhowmick, Shital Verma, Sunita Lamba, Banoj Mohanty, Promila Arora and Ratnakar Sutar

Monday, 14 April 2014

PRESS COVERAGES - HEAD TALE

CARTANART - Art review of HEAD TALE by Johny M.L. The well known art critic from India.

CIRCLES CERCLES - Interview by Kanika Vora.

BLUE ANT STUDIO - Interactive session with the Blue Ant Studio team members.






Wednesday, 12 February 2014

HEAD TALE - Solo Art Exhibition



I started working on this series of drawings and paintings on paper based on my personal experiences. Street urchins forced to perform acts of jugglery in front of the public just to earn a piece of bread (roti). Even doing terribly difficult and fantastic acts of acrobatics. Small kids with an innocent smile on their face doing the impossible. Farmers committing suicide, with debt to follow up by the helpless family. Migrants with punctured dreams, homeless on the streets of our cities. All unsung souls who die trying to achieve that minimum sanctity of humanness are my inspiration, my 'HEADS'. I am telling their tale of hope, despair, failure, struggle, deceit and tears. All these heads are reflecting the soul of our present society. The contemporary dilemmas of mankind are vividly portrayed here.

'HEAD TALE' stands on an understanding of daily exploration of our soulless journey towards attaining the truth. 'HEAD TALE' tries to visually trace the imperfect frameworks for negotiating the complexity of existence – a symbolic vastness within the greater vastness of this physical world. It's a galactic pile-up of reality – meditating prisms to which someone, somewhere, is still clinging. The elements facilitate engagement at all levels of consciousness, being provocative in nature. 'HEAD TALE' is based on our inner turmoil and its struggle with various elements. Influenced by forces of society, norms of survival, rules of coordinated etiquette, economic pitfalls, political lies, back stabbing idiots, race to success.

One might ask why only head. Well the head including the face is the real mirror of our soul. We read hundreds of faces in our daily life. Still we remember few, sometimes none. The head or face strikes you first and has its own story to tell. 'HEAD TALE' is an assemblage of strange contradictions of contemporary life. Some faces will remind you of the friend you just met on the street or the stranger who just make you laugh with his uncommon acts. Among millions of faces, some are truly memorable, for reasons unknown to us. Just too hard to erase from ones memory. Why we treasure them, is truly mysterious. This unknown connection maybe known as human bonding, so prehistoric yet surviving the troubles of our time. This element of mystery make our life naturally lovable. That slight twist of eyebrows, that cunning smile, the pale look, happy faces hiding everything beneath them, the anger blowing hot faces, old and tampered faces and so many of them. Scratched, curved, chiseled, painted, pampered, cannibalistic, injured, glorified and drowned in pain. Faces unlimited.

These 'heads' are common faces with uncommon stories carved on them. Raw in appearance and bold to the core. The colourful appearance  is deceiving to one's eyes. Painted to hide something mysterious. The material used is least important. The cause becomes supreme, transforming your routine space and time to a new level. Sometimes the heads are meditating, one with the self. They are vulnerable but determined. They are on the path of self exploration to explore the world in a more divine way. The void in them is taking the form of solace. The monk of his soul is questioning the meaning of worldly encounters. Ready to take on pain with very little effort. Finding the Shangri-La within oneself is the endless journey of all humans.

The heads are not to dismantle but to challenge and question our ignorance. They make you confront painful realities and provoke thought. ‘HEAD TALE’ is a shock therapy for the disillusioned times. To tear down the corrupt citadel of fake dreams. These heads let you rediscover the lost moments of your soul. A tribute to honest living and slowly but surely the heads gets under our skin.

Artist Statement -
Soumen Bhowmick






Thursday, 2 January 2014

PITARA Catalogue




Left to Right : Suman Roy, Soumen Bhowmick, Debashish Das and Tanoy Roychoudhary
From Left to Right : Soumen Bhowmick, Suman Roy, Tanoy Roychoudhury, Debashish Das and Gangadhar Mahato
From Left to Right : Gangadhar Mahato, Soumen Bhowmick, Debashish Das, Tanoy Roychoudhury and Suman Roy
 




Saturday, 14 December 2013

PITARA


PITARA 
A Group Exhibition of Paintings & Sculptures

Artists : 
Arpan Chakraborty, Debashish Sarkar, Gangadhar Mahato, 
Manoj Kumar Paswan, Suman Singha Roy, 
Soumen Bhowmick, Tanoy Choudhury.

5th to 11th January, 2014
11am to 7pm daily
Lalit Kala Akademi, Rabindra Bhavan, 
Copernicus Marg, New Delhi 1.

With Warm Regards,
Soumen Bhowmick
M : +91 9810661959

Tuesday, 22 October 2013

The GASSED Article


This piece of article was published by CSR TIMES magazine. The Corporate Social Responsibility magazine newly started from Delhi.

Monday, 9 September 2013

JAANE BHI DO YAARON

FALL OF THE GOLIATH, conte on paper, artist : Soumen Bhowmick 2013.


A land where you can get a plateful of food for Rs.5 only, where women get raped for wearing jeans, where women get burned for dowry but also get worshiped as goddesses, where farmers commit suicide for loans, food rots outside go-downs and on railway platforms, where people get prison for stealing Rs.200 and enjoy freedom to steal crores of money, a paradise where people are killed in the name of caste and religion, where education is inaccessible and booze flow like streams, where jobs are scarce and jobless souls aplenty, where the corrupts enjoy office till the last day on earth and the honest get shot by hired goons, where gratitude for the teacher is unknown, where the planning commission has no plans, where the economy is gone for a toss, where you get caught for smoking in public places but can pee in leisure publicly, where the law itself is lawless, where bribe is the supreme judge, where police himself rape the victim, where every child is living in fear of rape and abuse, where the highest of the office is corrupt, where a tainted leader get Bharat Ratna, where innocent people fear the law and the criminals command their respect, where the court is treated like a concubine, where money is wasted by the same government which teaches austerity, a place which is a heaven for the corrupt and criminals, where the rich can play god and the poor counts its every breath, where bread is scarce and imported wine is cheaper, a janam bhoomi of chamchas and followers of nepotism, where a god man can rape child in the name of religion, where god men or preachers loot the poor common people morally and physically, where tragedy is celebrated by organizing fashion shows, where you have to pay for god ‘darshan’, where terrorism is as common as monsoon, where charity is done to evade the law, where art is treated like a burden by the government, where politicians play Holi with coal, where Common Wealth Games are organized to loot public money, a land where roads and electricity are scarce and non existent in many regions, where the political class have a life of a Maharaja, where the poor still have to sell their newly born for food, where bonded labours roam the fields, where love birds are killed by khap panchayats or parents in the name of caste, where prisoners do graduation but children dropout from schools, where you get corporal punishment in school for asking questions and sometimes get killed also, where you get the license to pollute the rivers in the name of immersion of  idols during festivals, where you spend (eat up) crores of money simply to clean the river Yamuna, where one get arrested for trying to commit suicide, where the tribal women had to drink local booze to lessen her pain for breast feeding (she herself is without food for days) her hungry baby, where people driving luxury cars frown on seeing a child begging and at the same time attend seminars on their upliftment, where burgers are given to beggars but rotis miss their plate, where earning money is a simple case of going to war, where one has to pay thousands in donation in school to make one’s child educated, where education and food is the birth right of every male child and daughters are killed on birth, where female feticide is a routine affair, where religion is bigger than the soul, where the roads of the capital city gets flooded every monsoon and turn up like a lake, where traffic jams and rude drivers are treated like necessary add on, where else you will find corrupt babus and ministers driving huge cars on government money guzzling litres of petrol and diesel and flashing a red beacon, where else you will see no respect for the brave soldiers who die in our border doing their duty for the mother land, where else artists are threatened and their works destroyed for being honest and brave, where else a great artist of the land has to live his last life in exile for painting what already exists and which is the truth, where teachers rape their own students, where the government dump its own people who are victim of a barbaric gas tragedy and help the guilty to escape, a land where gold is supreme and rice is deemed to be rare, where budget time is the horror period for every Indian family, where else you have dogs roaming hospitals wards, where else a ward boy in a hospital practice his hands in operating a patient and in the process kill the helpless soul,  where else teachers are missing from their respective classes and busy freelancing, where children die in schools after having their free lunch all sponsored by the government, where people die due to negligence of fire safety, where judgments by the highest court is treated like mere funnies by the rich and powerful, where the judiciary itself is partnering with corruption, where our political maharajas make enormous promises only to be fooled later, where half the politicians in parliament are actual criminals, where we vote rapists and murderers as our rulers, where you spend millions on cricket and spend a penny for other sports, where dreams of many a talented sportsmen and women die before seeing the light of glory, where a corporate can spend lakhs for its calendar shoot with bikini babes but unable to pay salary to his employees, where you have the most child marriages in the world, where you make law to break law, where you can even buy the heaven by bribing god…well the list is endless, never ending. This wonderful incredible place I’m talking about is the one where on earth I live…INDIA!

This demonic situation persists in India for a long time now. We all enjoy this and are part of it. Being in this mess and chaos is the sublime happiness we thrive on. Otherwise we really get bored by those whistle blowers who crop up some time and ultimately get killed by the rich and powerful of our land. Fools they are, try to justify honesty in their heart with their deeds and words. They bang their feeble head to the thick strong wall of corruption and vices of all colours. Just take a break man, this incredible land of ours is the ‘karam bhoomi’ of the corrupt politicians and the businessmen. Fear of law is a vague thought in their mind. So engrossed they are in looting this place that even death will fail to justify why they don’t die. Volumes have been written on this evil raj of ours, but who cares to react to them. Time is not in our disposal.

Just got into the habit of ignoring the flow of decaying filth of corruption everywhere. One’s views on the state of affairs in India now is like reading stories from the Gotham city, of the Batman series. Batman was still there to save the people of Gotham, but who will save us? Helpless souls take refuge in RTI (Right to Information). But to what good, the corrupt are never punished or tortured. The process to show them their real place takes ages. Once in a while we get to hear some damn bloody politician is behind the bars…then after some time he was let free to roam the wilderness of deceit and evil. The kingdom of corruption is so vast and well guarded in India that no single soul can demolish that. Every prediction of well being and goodness is a complete failure here. The new age Maharajas (politicians) of this cursed land try every trick in their book to keep the people poor and unfortunate. There is no lack of food or scarcity of resources in this land of ours. It’s vast and prosperous, but only for the betterment of the politicos.
They create false scarcity like the one with supply of onions or potatoes. The dude from Maharashtra, Sharad Pawar plays real havoc as a minister of food. He heads the cartels of sugarcane and other vegetable suppliers. They stock vegetables when their is flood or drought and create a fake scarcity in the market and reap millions through black marketing. The owner of Kingfisher Airline had all his wealth and power utilized for clicking semi nude female models for the gorgeously beautiful and expensive new year calendar. All exotic locales are there, with the best photographer to his command. It's an effort worth my appreciation artistically. But needs the money to flow like a waterfall. Meanwhile his employees' of Kingfisher Airline had to let go of their salary for months end, sometimes six months even. One of the employees's wife even committed suicide for being unable to support her son's further education. All the cries and voices of despair fallen into deaf ear of Vijaya Mallya the owner of Kingfisher.

The poor and helpless farmers are always dependent on the rain god’s blessing for their thirsty farm lands. Still following the old method of farming, devoid of new scientific approaches. The officials responsible to monitor their farming affairs is busy making money the wrong way. The BDOs (Block Development Officer) or IAS babus just take things easy. More busy serving their political masters than the people of India. We are a nation followers and not leaders. We teach our generations to serve and not to question the authorities. Serving the British Raj for 200 damn years has mellowed down our very basic societal spinal structure. Our strength of character is now completely loose. It can always be taken for granted by our ever enthusiastic dominant neighbors in a wrong way. They don’t want to miss a single opportunity to bully us now and then. Even the smallest state of Nepal can show us the middle finger and they did that many a times.
This country has many varieties of malice’s. And it’s not that other nations are not touched by all these, only thing is they have a strong social and economic structure to face those short comings. The political class always supports the thriving population of the poor and the poorest of the poor for their own political benefit. Elections are won based on the number of poor and communities. Our political master’s are excellent jugglers of numbers. They know how to make things sound rosy and blessed with just a few damn number games. For the entire year we keep listening that the economy is up or going down...who cares for that even if it’s up, it’s always down for the man on the street. His or her days will be spend in day dreaming of a time which will never be possible to achieve by these brigade of corrupt politicians.

Elections are time to play the fortune changer...KAUN BANEGA CROREPATI. A game every Indian politician is in love with. Before election the fortune of a candidate may be a few lakhs in his bank account bot the moment he steps into the realm of a cabinet minister or even a small time MLA he gains that all time blessing of the electoral process...MOOLAH! His fortune changer works over time to make the dude a real time Maharaja with crores of money in this account. But the best part is his hunger for excellence in making moolah never recedes. His heart always play the favorite tune of the political class...YEH DIL MAANGE MORE. Today we have the naxalite situation in a very grim stage. It all began in the 1960 to 1980 and later on, when the government tried to fuel the development fire on the pyre of poor farmers. The farmers were made to vacate their only valuable possession, their land. Which at least gave them food and shelter. The were not educated and had no other skill to fall back on. So their livelihood and finally the survival of their family throw a difficult question on their face. They sought judgement the way they knew it better, by taking to arms revolution. By becoming a naxalite and ultimately fight for their land and livelihood. The situation is fully instigated by the state sources and they are to be blamed for the situation India is facing. still many Indian corporate and MNC companies are fueling this naxalite problem for their own profit. Farm land is becoming scarce and the poor farmers and tribals are left with no other choice. In some cases the farmers had to sell their girl child for few hundred rupees for a bowl of rice. And ultimately the girl is sold off to brothel in Delhi or Mumbai. The male child had to drop out from school to help his father in earning a living. This cycle of hell goes on and on. The divide between the haves and the have nots is now a grim reality of our life. The social equilibrium is challenged every day in this land of peace and harmony. A bullet for a bullet attitude of the state machinery will only alienate the poor farmers and the tribals. Make them involve with the mainstream development and the question of their survival and well being should be the utmost important policy of our movers and shakers.

The list is endless and a million words will fall to deaf ears to make things better. Decades of frustrated yawns have filled our lives. Possibilities are enormous, but the will to make a change is missing. Dribble your ball on your own to net the goal, that is what needed by every individual in India. Take your stand and let your voice say 'Hulla Bol'.

But for now, let it go friends let it go, JAANE BHI DO YAARON!


By: Soumen Bhowmick, September, 2013.




Saturday, 7 September 2013

MANDI HOUSE KI BHATAKTI AATMA (MBA)


COME TO MY CIRCUS, pen & ink on paper, artist : Soumen Bhowmick

"MANDI HOUSE KI BHATAKTI AATMA (MBA)" 
Or 
"THE WANDERING SOULS OF MANDI HOUSE"


I pick myself as the first example for this piece of writing. Well I am a qualified and self proclaimed “Mandi House Ki Bhatakti Aatma”, that means I am an MBA. What a qualified soul I am!

You need to be an all year round wanderer around the Mandi House area. A place for all troubled creative souls in Delhi. It’s the place to be in for creative nirvana. I am not the first or the last of this breed. There were many more before me, like M.F.Husain, Jatin Das, Shahrukh Khan, Paresh Maity and many more known and unknown faces of Indian art and culture. Well you just need to be a qualified, troubled, thinking asshole these days to earn this coveted title; ‘MBA’. Troubled, yes we all artists, actors and writers are suffering that disease now more often. MBAs used to be rare at one point of time.

Surprisingly the place is a breeding ground for MBAs. With the presence of Shriram Centre for Arts, National School of Drama, Lalit Kala Akademi, Triveni Kala Sangam, Kamani Auditorium, LTG Auditorium, FICCI, Shriram Bharti Kathak Kendra and the College of Art. So now days there is an over supply of MBAs. So much of talented people are floating around, the souls are frantically looking for some foothold some where on the rough Delhi grounds. I hear their voices daily, some are complaining, some are praising and some just mute.

These Bhatakti Aatmas have one purpose only to soak in the strange and secret aroma of survival of the place called MANDI HOUSE. The place is intoxicating, it reminds you of the lost values of humanness, struggle, honesty, dedication and focus to one’s goal. Sometimes I feel disgusting to keep floating around as an MBA, what’s the purpose of this soul? Is he a loser or simply lost all hope in goodness. What really troubles me and many other MBAs, I hope, is the absence of care and sympathy for these Bhatakti Aatmas. Have anyone pondered, why are these souls wandering around. Sitting alone in one corner of Mandi House or in groups. I’m not trying to be sarcastic or emotional or want you to cry, just give it a thought. Some of the MBAs have died recently and some have left the city for good, to put an end to their question of survival.

Our famed policy makers in Delhi should take out some time and make it a point to visit this holy place of MBAs. Be there dudes, for it will open your dumb, nut-shell brain (if you have any). Try to sit there at least for an hour and make policy decisions there it self. You will see breed of all kinds there…the entire nation is passing through that place. You will get hundreds of ideas and can make critical decisions look so amusing to make. The place is sinking now. The economic down fall in the world has sipped into its air. The MBAs are getting tensed by the day. Now they don’t ask for cups of tea or samosas. They just keep watching the sky or the birdies and some times the two legged beauty passing by. They keep a very quiet presence. They hope, some one will ask them for tea or have “Ek bata Do” screamed to the chaiwallah. Alas it happens rarely. No fags are shared these days. The cost of cigarettes have crippled our mind. The holy smoke is missing from the air of Mandi House. For how long we the qualified MBAs be suffering in silence. Time has come to make our presence felt. No hand is strong enough to crush our dreams…the Bhatakti Aatma will settle down some day (we all prey for that).

The MBAs demand that Mandi House be declared as the most important centre of Indian cultural journey. Lets build a coffee house at the place and give us some better option to wander around. The Bhatakti Aatmas will be praising the Delhi Govt. for a long, long time to come. The tea stalls have made our life unbearable with the price of one cup of tea being Rs.7/-. It’s not hygienic at all. The place is getting filthy with garbage all around and smell of open toilets. Man we need to do something seriously to save the MBAs. Otherwise they will perish or will seek protection from the Govt. as endangered species. Come on you human beings save us. The MBAs need your support and care. Visit the place ones in a week and make it a point to talk to some of the MBA’s and you will see the real India around you.

People of Delhi, don’t be scared of us. We might look troubled, lost or even menacing, sometimes, but we don’t bite. Painters, stage actors, dramatists, dancers, activists, students, play writers, singers, photographers are the qualified regular MBAs. Mandi House has embraced them all with equal space and warmth. They all feel secure and loved here. Mandi House give us respect and the feeling of belongingness.
And thanks to Delhi Metro (DMRC) we now have the metro station to arrive on time and comfort to do our job of wandering around.

Say cheers to the ever lasting spirit of Mandi House Ki Bhatakti Aatmas (MBA) and their zeal to face all odds in life and the world.

By:
Soumen Bhowmick
July, 2013.

Tuesday, 27 August 2013

ART Vs A.R.T.

THE TROJAN ACT, conte & charcoal on paper, artist : Soumen Bhowmick


Its’s not a story of a lost soul neither a fickle dead argument. It’s a collective effort of all my senses to make an honest effort to present a clear perspective of the present art scenario. The contemporary art practices and its nuances from a new angle.

“ART for the artists is an honourable self exploration for the benefit of the society as a whole”, this is my understanding of ART. Sometimes it reflects the realities of life is a more raw mundane way and sometime in a more subtle vibration. Knowingly or unknowingly artists make A.R.T. (Active Repetitive Thinking). May be I’m the first individual to penned this term…HURRAH! What a revelation to come. Now expect the unexpected from the raw art…

 Many of us now a days are producing clones as ART, which is ultimately taking shape as >Active Repetitive Thinking (A.R.T.)< and feel proud of their creations. Galleries, so-called Art Critics, Collectors and Curators are pumping their jack for these skillful mass producers of A.R.T. No names here, but I don’t feel the need to nullify or justify their stand here. The present downward journey of the art scene in terms of financial gains is evident enough to ratify my position. May be not, but take some time and explore the art producers of INDIA now and you will see the 
Active Repetitive Thinking syndrome is suffered by most of the artists, mostly painters or installation artists. Some of the best known names of Contemporary Indian art are feeling the horrible jolt of their lifetime. Their values have taken a down spin and going down deeper by every passing day. The promoters of these big shots have either fled the art scene or banished themselves to self-imposed exile. Many well know galleries and art funds have closed down BODHI, ANANT ART, MINT, PAINT BRUSH & CHISEL, BOSE & PACIA (Kolkata), RELIGARE ART GALLERY, ART ROOM, BAJAJ CAPITAL ART HOUSE and HONGKONG FINE ARTS (Manisha Khemka) to name a few. The rest are in a real bad shape, limping towards their self created hollow goals. All through 2005 till 2009 all these galleries and self proclaimed art promoters have done enough damage to make the greatest dent to the Indian art scene. They have punctured the morale of serious dedicated artists who worked tirelessly, away from the lime light and all these shooshabaji (Nonsensical sounds of false glory). The aced Art Critics and Curators have written thousands of words for the upliftment of these great performers. Years have been spent to create a false hype around certain artists. It suited all of them, the artists, the Galleries, the Curators and the Art Collectors or Investors. And the PR firms made their juicy cuts from these affairs, the entire affair used to be well orchestrated...a great symphony, but so fake! Prices of artworks touched the roof, yet qualitatively they are no good than a mere photocopy of realism around. Size does matter…no make it big. Huge canvases with mere placing of photographically referred elements, well synchronized and brightly painted. These breed of hyped ART were cherished and got pushed around for many years. Still around but the speed has been slowed down by reality of time. 

Years after years all we have seen is Active Repetitive Thinking (A.R.T.) in the form of boring, gigantic steel assemblages, forced dark eroticism with very predictive boldness and treatment, Buddha’s and Ganesha’s popping up as new found icons of Indian art, abstract colour patches, smart collages with minimalist approach and super realistic plastic paintings. Very dead and soulless effort by a large number of artists, some of them cream of Indian Contemporary art. Repetitive usage of content in the form of photographic support or reference is a mere short cut for most of the artists today. Ignoring their true soul stirring efforts to create something genuine and qualitative. The works created are least memorable, with a plastic like essence to their being. 

Another great menace which have popped up recently as a black hole for all serious Artists, is the ‘AFFORDABLE ART’ scene. Well packaged, glamorized, interior friendly, cheap in price, party conscious and dead in content is their profile. This Active Repetitive Thinking (A.R.T.) is now growing at a rapid speed, profoundly displayed in high value malls and galleries. Feel sorry to call them CURIO shops in the garb of posh galleries. They have fancy names and equally fancy attitude towards ART. These sellers of A.R.T. have done more harms to real ART than destiny itself. The perception of ART as a cheaper option for decoration has really harmed the serious ART scenario. It gives rise to A.R.T. that has no value as appreciation over the years monetarily. Qualitatively they are poor, no brains used, any pain involved…absolutely any soul into the ART. The concept of ART management is absolutely missing in Indian scenario. Poor maintenance of archive or total ignorance of art cataloging. It’s done so in the name of cost saving by galleries. Except for few big galleries who take great pain to make research and cataloging a serious affair of their art exhibitions.

Mass produced A.R.T. is now hanging unsold in most of the galleries. The auction houses are seeing the reality of time more lately. Some of the so-called icons of Contemporary Indian Art have gone unsold in major International Auctions during recent days. Within this turmoil will give rise to some of the best talents from India. Their perseverance and utmost honesty towards their profession will give a new meaning to ART. The recent fall of the art scene in terms of sales has done much better justice to the hard working faceless talents of our land. Slowly but surely they are now getting recognized. 
Their time has come, ROAR out the real tigers of Indian Art and show A.R.T. its real place!


By: 
Soumen Bhowmick
Date : 08/7/2013